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Portrait of an Artist: Sharon Leichsenring of Leichsenring Studios

January 9, 2009 14 Comments by Regina

extra-l-sharon.jpg ARTISAN: Sharon Leichsenring of Leichsenring Studios

 

Leichsenring Studios was founded by Sharon Leichsenring after a 25-year career in the commercial sign industry. Since then, her company has garnered the 2004 National First Place Grand Prize in the Decorative Painting division from the competition sponsored by American Painting Contractors and the Honorable Mention prize in 2005. In 2008, she was the top name in decorative painting by the American Painting Contractor’s list, “Who’s Who in the Decorative Painting Industry 2008″. She has been a member of Salon since 2003 and was recently featured as a guest muralist in Gary Lord’s latest book “Mural Painting Secrets for Success”.

Talking about her work she muses, “When you start a second career path at a certain age, you realize how important time is. I found myself exploring new workshops to learn how to manipulate new products. Becoming a teacher also helped because not only do I get a chance to share my methods of mural design and painting as well as understanding trompe l’oeil, I get to exchange ideas and new faux finishes with students across the country.” She adds, “I firmly believe that every job I complete represents me and each deserves the same attention to detail, research and execution. I keep in mind an answer a designer once shared with me, when a client remarked that she would love to have the mural we were proposing, but it was, after all, only for her bathroom. She commented that the work doesn’t know where it lives. Its purpose was to bring satisfaction wherever it ended up. I ended up doing the full mural and the owner agrees it was the right call.”

Leichsenring Studios works throughout Fairfield, New Haven and Litchfield counties in Connecticut and into Westchester County in New York. Out-of-area commissions are also accepted.

The following are some visuals of her work and after that, our online interview continues.

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leichsenring4 Extra L 1

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How do you creatively approach every new commission?
I am a bookaholic. There’s no other way to describe it. When a commission for a mural is in place, the first thing I do is to take the necessary luxury of paging through dozens of books. My top 75 or so go-to books always have something that sparks a thought. Sometimes, it becomes clear I’m going down the wrong path but other times some seemingly insignificant detail starts a whole new thought wave.

What is the range of your clientele?
With the exception of a few restaurants, most of my work is residential. I have spent as much as 8 1/2 months in one (very large) home. I have also had clients where I keep returning year after year to add my touch to another area. In between, there is sometimes the small strie that will change a room for its owner.

What are some misconceptions about decorative painting that you encounter?
I am always astounded that homeowners think that faux finishing is so easy and that products available to them are no different than those designed for the industry. I also see many poorly done murals and after listening to the homeowner tell me how disappointed they are, come to find out that that the homeowner was not shown a finished composition before agreeing to the project. I think, as an industry, we need to do everything we can to keep things professional, which includes getting samples signed off.

In your travels, what have been some of the most inspiring spaces you’ve seen that had decorative painting?
To date, the most beautiful example of trompe l’oeil painting was the drawing room at Mottisfont Abbey in England, painted by Rex Whistler in the 1930s. My only regret was that no cameras were allowed. The good news was that those I was traveling with gave me all the time to examine literally, foot by foot, every piece of gorgeous work.

What’s the best piece of professional advice you have received?
In a nutshell: Remember, this is a business. It means not to get overly invested with clients during a project. It means to treat yourself as a professional when it comes to calculating the value of your work. I admit, I never like the business portion of my work but that’s what keeps us going. We do have a responsibility to remember that every good business has a sound plan and use the proper tools of contracts and good conduct.

What advice would you offer to aspiring decorative artists?
1- Keep a camera with you always.
2- Develop a way of organizing your morgue file (pages you rip from magazines, junk mail, etc.)
3- Practice always.

It was such a pleasure to kick off our Portrait of the Artist with Ms. Leichsenring — as you can see, she has stunning work. Thanks to the Leichsenring Studios website, I also learned what the term “maquette” means. (You’ll have to go there to find out!) There are more breathtaking pictures to be found and further information as well. I hope you’ve enjoyed the profile — the next one is in about three weeks and it will take us to a visit across the country. Be sure to look for it!

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10 Comments

  1. Lucinda
    1224 days ago

    What a nice portrait. Sharon, your work is stunning and inspirational! Thank you for sharing your talents. I hope you’ll consider traveling to the PacNW to teach.

  2. Sharon Leichsenring
    1224 days ago

    I’ve never been to the Pacific NW, but my brush kit and suitcase is always ready. Do you have a school? Send details.
    Thanks, Sharon

  3. Regina Garay
    1224 days ago

    Sharon – Speaking of classes, I was talking to Donna Phelps today to see if she had any “ornamental, scroll-y kind of class” going on and found out that you might be going to Sarasota to teach! (This was entirely coincidental, can you believe?!?) I’ll have to keep updated on that…

  4. Sharon Leichsenring
    1223 days ago

    Talk about a co-incidence. One of the great things about a discussion like this is that I can use your imput, perhaps, when designing a class. One of the classes that I’ve discussed with Donna is a cloud class. I like to use some type of simple trompe l’oiel techniques, when I can, to make a sample a greater portfolio piece. One of my cloud techniques to use a tray includes a wrought iron frame. It shows the potential client a clearer method to upgrade the job and really enhance the effect. Perhaps a little more ornament can make a hybrid clouds/ornament class. What do you think?

  5. Lucinda
    1223 days ago

    Sharon, there are several ways we access pros like yourself. In Portland we work with Chromatix Paint. We used to arrange classes with them through our IDAL chapter – Cascade Artisans Guild. They also arrange classes with their own calendar. Kim Bacon through the WA IDAL Chapter – Emerald City is great about arranging classes. Several of us are members and often make the 3 hour drive for good classes. SAFS and Out of This World Finishes are also other Seattle schools. Let me know if you want help making any contacts with these folks. SAFS was where I learned plasters when I first started, and I have taken a 5 day class from Jennifer Carrasco at their location.

  6. Janie Ellis
    1222 days ago

    Although you can get some sense of Sharon’s professionalism on this blog, what you miss is her great sense of humor, her can do spirit, and the ease with which she can connect and convey information to her students. We are so happy to have her training our future artisans at Anything But Plain, School of Decorative Finishes. She makes it look so easy as well.

  7. Cre8Tiva
    1222 days ago

    regina…i love sharon and her work is masterful…beautiful blog…rebecca

  8. Regina Garay
    1222 days ago

    Sharon, I am looking for an ornamental type of class or even a hybrid of one. Please keep me posted on what you work out with Donna. I talk to her a lot as well so I’ll keep asking about final dates and curriculum. Rebecca — thank you for the comment, I enjoy your blog as well. I know times have been tough — I wish you so much goodness in 2009. Janie – Donna also described Sharon as “a real pleasure”. I’m so happy she’s coming to your studio as well – it’s great to take classes from masters in the field. I’m thinking of maybe doing podcasts or interviews via Skype so that readers can get a well-rounded sense of the artists we’re profiling. Working on it! :)

  9. Chris Frosztega
    1221 days ago

    Great blog…in addition to great decorative work I really appreciate the focus on the professional and business side of things.

  10. Regina Garay
    1221 days ago

    Thank you, Chris! I keep trying to mix the right and left brain subjects so that all aspects are covered. :)

4 Trackbacks

  1. [...] today’s profile, we leave Trumbull, CT and fly west across the country to snowy Portland, Oregon. Here, we encounter Lucinda Henry of [...]

  2. [...] continues with Connecticut artist Sharon Leichsenring of Leichsenring Studios.? Sharon has been previously profiled on our Portrait of an Artist series.? She shares her story about an “elevator” [...]

  3. By Fauxology Appreciation | Fauxology on March 14, 2011 at 12:29 am

    [...] artist and frequently travels the country to teach. In fact, we’ve profiled her before on our Portrait of an Artist series and during Elevator Week. You can keep on top of her teaching schedule and current projects by [...]

  4. [...] friend of Fauxology, Connecticut-based Sharon Leichsenring, who has previously been featured in our Portrait of an Artist series as well as during Elevator Week.  Here, Sharon recounts the beautiful [...]

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