A Solomonic Column is one which has all the typical components of a column except that the shaft twists into a spiral and creates a serpentine motion. They are mostly created from wood, metals and especially marble. Speaking of marble, today’s columns are made to mimic the look of with a wonderful twist. They were created by Krista Vind and Cindy Everett Smith of Ufauxrea and the wonderful THE Studio Destin. Generously, they’ve included the recipe for you. Let’s dig in!
A few years ago, I spotted this image in an issue of Elle Decor….

The columns installed by designer Stephen Sills were so beautiful that they inspired this 2009 blog post wherein I stated that a decorative finisher could reproduce the columns — but they had to be done extremely well. Cue to a few years later and there I am receiving the submissions for Column Week. When I saw these beauties submitted by Krista Vind, they immediately reminded me of my post from so long ago and I knew they would make the final list. Once I started receiving all her project information, the inspiration pic was sent as well — and it was the SAME pic. I was floored at the coincidence and it was only then that it dawned on me that they had beautifully executed the finish I had written about years ago. Love how it all comes around, you know? Krista shares their story.

“These are the columns in The Country Club of Mobile. The designer, Tricia Willis, wanted the columns to have a beautiful banding design,” she explains. “We created six of these 12′ tall columns for the entry hall. The color and type of marble were changed to go with the interior design club. In fact, here is the original “recipe” just so you can see the colors used and how messy I can be!”

“We ended up changing it a bit when we did the columns. The finish itself has a lot of steps but each is so quick and easy, its amazing to me how realistic they look!”


Hallway with beautiful Banded Columns at end.
Guess what, dear Readers? The recipe has been shared!
Tumbled Marble Banded Columns
1) Basecoat with white paint.
2) Mix 2 paint/glaze mixtures: one in a deep tomato red, the other a dark gray. Cut a few pieces of plastic sheeting into different sizes. Apply a bit of the paint/glaze mix to the plastic with a brush – each color separately. Lay the plastic on the surface to apply the paint. Using both colors, you are looking for about 30-40% surface coverage. It should look like a positive frottage. Let dry. (This is the really scary stage. Be SURE to warn your clients!)
3) Using a very light gray color, again “bag” on to soften the look of the red and dark gray. This time, wad up some plastic and just lightly dip it into the paint before bagging on the surface.
4) Using glaze and dark brown colorant, overglaze the entire surface to tone.
5) Now, using a thin mix of the same gray as in Step 2 and water, rub onto the surface randomly with a t-shirt cloth. Do as much coverage as you think necessary.
6) Now comes the fun part – making the “stones”! My first go-round with this I used three different glaze color mixes. I found it really wasn’t necessary, so I ended up using a) a mix of Aquacreme with Brown and Dark Brown colors and b) RS Glaze with a Chestnut color. (If you aren’t certified to use RS glaze, just use Aquacreme.)
7) Tear brown paper into stoney shapes. Dip in water, dab off on towel and then apply to column surface. Apply brown glaze all around and add in only the chestnut color here and there, varying the size of the areas where you add it. If you use RS Glaze, use a color shaper to “pull” the glaze and create its unique movement. Pull off the paper. Soften the edges with a paper towel or tool of choice. Before this glaze is dry, I also like to use the color shaper to create movement in the larger areas of solid glaze. It leaves faint lines that look like fissures.
8) Topcoat using a shiny water-based material. I used Rock Kote gloss.
Unless otherwise noted, all products used are from Faux Effects.
Krista shares, “This process sounds difficult to me as I write it out, but in fact it is SO simple and creates such a really convincing marble!” I would have to agree — the columns look wonderful! Please be sure to visit their websites, Ufauxrea and THE Studio Destin, to see more of their work and available classes. The studio also has a great Facebook page. Tomorrow we conclude Column Week with another Florida artist — her first feature here on Fauxology. The inspiration? The 70′s mystique mixed with Moroccan influences. Intrigued? See you tomorrow!
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DAY 1 – Column Week: Ashlie Bickford, Kindra Benge and Sharon Leichsenring
DAY 2 – Column Week: Arthur Morehead
DAY 3 – Column Week: Mindy Hunt Harrell
DAY 4 – Current Post
DAY 5 – Column Week: Lisa Cameron